|
I absolutely adore
Chara who is one of the most interesting women in Japanese music. A
childlike singer who's very quirky and kooky with messy hair, big eyes
and a big mouth. She's a real talent who wears many hats as composer,
lyricist, singer, pianist, artist, actress, producer, wife and mother.
I was introduced to her via my friend Keiko and I'm sure glad she did.
At the time, since I was used to more clear-cut pop or rock music, when
I first heard Chara's music I wasn't sure what to make of her. But as
I kept listening to more and more songs, I became inexplicably drawn
into her unique sound.
Nicknamed
Chara as a child in school when she would do "chara-chara" (the written
sound of someone fidgeting restlessly) in class all of the time. The
name stuck with her into adulthood and even now, few people know her
real name. As a young girl Chara was a bit of a child protege showing
a natural ability to compose fairly complex songs at the age of 4. After
getting formal lessons, by age 6 she had her first recital with her
own original composition. In the years to come she would become reknowned
for her skill with they keyboard and her passion for American and British
pop. She also seemed to wear rollerskates wherever she went. At the
age of 14 she started her own pop band playing keyboards and writing
songs. It took some effort to find a good vocalist for her music until
Chara realized she could do it herself. Her childlike singing was perfect
for communicating her similarily childlike songs. By 1990, Chara had
attracted the attention of Epic/Sony records and was signed to a 5 year
contract. While not an instant success, after more nationwide TV exposure
Chara soon became one of the fastest rising music stars in Japan.
| Chara
has always had a persona of an eternal child. In many ways she's
always seemed to be 5 years old. Although she is a smart and saavy
woman, Chara has a certain kind of youthful innocence that carries
into the way she looks, acts, sings and lives life. It's no act
either, this is her real self. This persona has won her countless
dedicated fans from all over Japan who admire her youthful look
and behavior.
Her singing
style is wispy and childlike, yet soulful. The thing I came to
appreciate most is how textured and multi-layered her songs are.
Not only in the musical arrangement but with her singing too.
She does so many great things with her voice and all of her songs
take influence from many styles like pop, jazz, R&B, hip hop,
blues, 70's rock, soul folk and funk. It is based in pop influences,
but I wouldn't hesitate to call it alternative since it's usually
so hard to categorize.
|


 |
1995 and 1996 were pretty eventful years for Chara. She married actor/producer
Tadanobu Asano and gave birth to a baby girl whom she named Sumire. A
couple of months later she released a greatest hits album (which was my
first exposure to Chara) with a title that pays homage to her daughter.
The addition to a daughter to her life seemed to have a destinct impact
on Chara's creative output making her even more willing to express her
youthful personality.
In the early years of her career, Chara tried to go against her usual
persona and made an attempt to foster a more glamourous and sexy look.
But her personality always came through regardless. So she tended to be
a bit of a mismatch. But sometime after the birth of Sumire, Chara began
to lose the glamour look and has gone with a more natural and earthy look
that goes better with her free-spirited character. Chara had become a
favorite of famed director Shunji Iwai starring in three of his movies,
Picnic (1994) and Swallowtail Butterfly (1996). In Swallowtail, Chara
played a character of Glico who was part of a rag-tag group of outcasts
in a fictional near-future Japan where the high value of the yen had caused
the country to become a veritable gold-rush country filled with immigrants
trying to make a better life for themselves. Glico's gang came to call
themselves the Yen Town Gang. For her role she won an academy award
as best actress. Chara along with Iwai and some others formed a rock-based
band called the Yen Town Band spun off from the same band they played
as in the movie. Chara in fact played the movie's character Glico as part
of the shtick. Produced by Takeshi Kobayashi, a well known producer of
some of my other favorite bands like Mr. Children and My Little Lover,
Yen Town Band released one album together of songs featured in the movie.
Also Chara joined another group "The 99 1/2" as the vocalist. Afterwards,
Chara went back to her solo work in 1997 to release her best selling album
to date "Junior Sweet". This year she's followed up her landmark album
with yet another groovy album "Strange Fruits". Her
music just keeps getting smarter and more eclectic. I can't say enough
good things about her and only wish that most of the pop music industry
was as imaginative as Chara.
Mason's
Favorite Album
Junior
Sweet
I suppose if I had a favorite album it would be Junior Sweet. Here
we are treated to a reborn Chara with a new outlook and fresh creative
vision. Her previous albums were all excellent and full of variety,
but this album is even more eclectic and seemed to show more of
Chara's true nature, or rather the side of her that had become mother
and wife. It starts off great with a folksy pop song Milk.
Songs like Yasashii Kimochi, Shima shima no Bambi and ... are
childlike, yet funky songs that have become Chara's trademark. Junior
Sweet is an absolutely perfect 70's retro-R&B song while
Doko ni ittan darou? Ano baka wa is a stellar 60's retro-rock
song with a touch of psychadelia. That song along with the harder
Katte ni kita are reminiscent of Chara's rock-based work
in the Yen Town Band. Personally I'm glad to hear she's been able
to carry that sound into her solo work as well. Time Machine
is a beautifully spacy slow song with a lone guitar, drums, harmonica
and violin. Her penchant for retro pop sounds continues to come
through in many other songs such as the jazzy Watashi wa kawaii
hito to iwaretai. Apart from Time Machine, Hana no yume
and the short Setsunai mono are other wonderful ballads.
Ai no kizuna and Watashi no namae wa o-baka-san remind
me a lot of Chara's older style. So there's a lot of variety in
this album. It's a great first album to buy. |

(1997/9/21)
01. Milk
02.Yasashii kimochi (shiawase version)
03. Shima shima no Bambi
04. Watashi no namae wa o-baka-san
05. Time Machine
06. Kate ni kita
07. Doko ni ittan darou? Ano baka wa
08.Watashi wa kawaii hito to iwaretai (original version)
09. .Junior Sweet
10. Hana no yume
11. Ai no kizuna
12. Setsunai mono
|
Mason's
top 25 favorite Chara songs
- Swallowtail
Butterfly [Yen Town Band]
- Junior
Sweet
- Yasashii
Kimochi
- Tiny
Tiny Tiny
- Time
Machine
- Atashi
nan de daki shimetai n darou?
- Hikari
to watashi
- Doko
ni itta n darou? Ano baka wa
- Iya
- Violet
Blue
- 70% Yugure
no uta
- Ai no
jibaku souchi
- Break
These Chain
- Heaven
- Mama's
Alright [Yen Town Band]
- Katte
ni kita
- Sunday
Park [Yen Town Band]
- Milk
- Duca
- Tsumibukaku
aishite yo
- Watashi
wa kawaii hito to iwaretai
- Happy
Toy
- Atashi
wa koko yo
- Ai no
kizuna
- Sharotto
no okurimono
|
|