
Cocco is an awe inspiring singer who truly is an artist in every sense
of the word. From the name (which I had initially confused with CoCo,
an all-girl pop idol group) I thought she might be a cutsey idol girl,
but she's quite the opposite. In fact she's quickly becoming one of
my favorite female artists of all time. Her music is excellent with
grungy guitars and strong vocals. The composition of her music is nothing
short of brilliant which range from soulful folk music to wailing hard
rock to miscelaneous experimental stylings with cool distortion techniques.
Her songs are very emotional and go miles beyond the usual pop songs
about relationships. They deal more with a wider view of the human condition
extruding powerful feelings of sadness, hate, dispair and melancholy
as well as songs of bittersweet hope and twisted love. For Cocco music
is not a passtime or even a source of income but rather a form of emotional
release. Cocco throws herself into the composition and performance of
her music 100%. So much so that it's almost embarrasing to watch her
rage spastically and expose her soul so nakedly on stage. Live performances
are grueling for Cocco, both physically and emotionally, causing her
to become totally drained for a few days afterwards. But as she says,
it purifies her of pain and anger causing her to become a kinder, more
easy-going person. It is because she learned to embrace everything about
herself, even the dark parts of the soul that she is able to perform
like so. Such a genuine approach to songwriting and singing makes her
songs all the more intense.
Cocco has had her music released in San Francisco Bay area and has played
the South by South West music festival both in 1997 and 1998. Many Americans
who've witnessed her have compared her to Alanis Morissette (who comes
from my hometown BTW). Although I'm not a fan of Alanis' music I do
see where these people who compare them get this idea from. Both artists
have a folk-grunge style of music that is sometimes very hard and edgy,
other times quite uplifting and poetic. I can hear the similarity in
Cocco's first album Bougainvillea, especially with songs like Sing
A Song~No Music, No Life which have her singing in a way that is
reminiscent of Alanis. But by the time of Cocco's second album Kimuiuta,
the similarity in musical style ends. But it's not really their music
style as much as their persona that people seem to loop together most
of all. Both artists are known for bearing their souls in their songs,
putting the pain and joys that they have experienced in life to music
as a sort of cathartic exercise. They also have a public image of being
down to earth and natural rejecting the idea that rock is supposed to
be glamourous. I hope I won't get too many Alanis fans mad at me for
saying this, but this deep philosophical persona often feels phoney
like she's putting on an act. But with Cocco it's truly the real deal.
Cocco doesn't think of herself as a singer but rather as a person who
happens to sing among other things she likes to do. Cocco is many things
and it's just out of convenience that she currently sings for a living.
To my chagrin, I don't know a lot of background information about Cocco
herself. But she puts so much of herself into her music from her deepest
insecurities to her greatest dreams. From listening to her music I feel
as if I already know her intimately.
Notes
- Cocco was born
and raised in Okinawa and has a great love for the natural beauty and
unique culture of the islands. There she lived until 3 years ago when
she came to Tokyo. She loved life in Okinawa, almost too much. To the
point where it causes a blinding complacency. That was pretty much her
reason for getting out of there according to Cocco.
- She is also known
to express herself in dance as well as singing, but not professionally.
Cocco mostly dances by herself for fun only.
- Cocco used to spell her name as "Cocko" back in the days
as an independent artist. Same pronunciation though.
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Mason's
Favorite Album
Bougainvillea
Cocco's debut album is a beautiful marriage between rage and tranquility.
There's a strong feeling of catharsis throughout this album as
if it's as much of an emotional journey for Cocco as it is for
its listeners. The songs Kubi, Count Down, Baby Bed,
Nemureru Mori no Oujisama and Hashiru Karada seem to
have a kind of symphonic heavy grunge feel and are often quite
dark and some of them can be disturbing. But on the other hand,
a lot of the songs like Hoshi no Umareru Hi, Isho,
Rain Man or the cute Gajumaru no ki have a soft
and kind mood. Yet with all of those songs there's an underlying
sadness to them. But there are songs like Yawarakana kizuato
and Sing a Song that are rather inspiring and show a will
to live life to its fullest. Overall it's a really emotional album.
Many songs
feature a really interesting mixture of hard grunge guitars with
violins and piano. Really gives it a distinct feel. The next album
from Cocco Kimui Uta was an equally well-made album, however
there's a lot less intensity and darkness overall. While this
is a good thing and shows that Cocco has become more at peace
with herself, still it can't be denied that it's that very intensity
that made Bougainvillea such an absorbing album.
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(1997/05/21)
[1] Kubi (Head)
[2] Count Down
[3] Hashiru Karada (Running body)
[4] Isho (A Will)
[5] Rain man
[6] Baby Bed
[7] Sing a Song ~No Music, No Life
[8] Gajumaru no Ki (Gajumaru Tree)
[9] Nemureru Mori no Oujisama (Sleeping Prince)
[10] Yawarakana Kizuato (Soft Scars)
[11] Hikoukgumo (Winter Cloud)
[12]Hoshi no Umareru Hi (How a Star is Born) |
Mason's
top 10 favorite Cocco Songs
Cocco's
songs often have both an English and a Japanese title. In this case
I'll use the English song names.
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